Any landscape where there’s a dramatic change, such as the boundary between land and sea, is a rich source of images. You’ve not only got the coast itself, but also the way we humans interact with it. We’ve turned some areas into a playground with all the trappings of the seaside; piers, candy floss, donkeys and crazy golf.
Clevedon Pier near Bristol is a classic Victorian pier. It was was built during the 1860s to attract tourists and provide a ferry port for rail passengers to South Wales. The pier is 312 m (1,024 ft) long and consists of eight spans supported by steel rails covered by wooden decking, with a pavilion on the pier head. The pier opened in 1869 and served as an embarkation point for paddle steamer excursions for almost exactly 100 years. It’s so tall because the tidal range there is the second highest in the world.
The nearly sunset-light brings out the details, and the main structure makes for an elegant lead-in line to the pier pavilion. Converting to black and white makes it timeless.
On Saltburn Pier in Yorkshire someone has been “yarn bombing” the railings for years. This year’s theme is books and literature. I saw the clever juxtaposition of the two book titles and waited for a couple to walk into the shot. Will they choose the romance of “Mills and Boon” or go the “50 Shades” route?
I was drawn by the symmetry of these folks’ outfits. The blue/dark grey tops at the ends bookend the two lighter grey-clad people in the centre. The use of a long focal length lens has compressed the perspective making the beach and sea more prominent. I did wonder whether they were planning to visit the beach or whether they were happy just to look at it.
The coast and seaside are always there, and can be very atmospheric out of season. No need for a bucket and spade, just a camera and your eyes.